Sound for Television

Grammy Live 2011

Sunday, February 13th, 2011

We were there for 72 hours of live streaming content on Grammy.com and YouTube of the 53rd Annual Grammy Awards. Take a look behind the scenes at the web broadcast control room when a special moment happens on the Red Carpet. Watch and listen to the director call the shots as you hear the communications systems buzzing with minute-by-minute information on the progress of this live broadcast.

Grammy Red Carpet Proposal on Facebook

Hell’s Kitchen Season 8

Friday, March 5th, 2010

I just finished up work as a control room sound mixer and engineer for another season of Hells Kitchen. Bexel / ASG provides the gear while Keith Garcia at Bald Sound supervises. This is another temporary installation at Century Stages in Culver City, CA. They build the restaurant, kitchen and dorms every season, then tear them out a month later when the season is wrapped. It’s quite an endeavor. We create a mini-city of about 200 people. Many departments come together to create the show of an imaginary restaurant on a sound stage in California.

My work is part of a team of technicians to facilitate 90 cameras, 74 mics, and 3 control rooms for a network reality competition show. There are a lot of big and small details that go into making it all happen but we are getting pretty good at it by now. These pictures help to show the scale of the operation.

Digital multitrack and multi-channel audio recording ensure all the audio and video is recorded properly for editing and broadcast. 900 channels of audio are passing thru at all times to make it happen. And it’s all torn out within a day or two to move on to the Oscar’s or the Olympics, etc.

Theres a big job of keeping track of all the media we record to make it into the best show it can be. A team of producers, technicians, switchers, camera operators, loggers, and editors create a system of capturing everything and making note of the good stuff so the audience gets the best of the best of everything that happens.

There’s a lot of work that goes into creating reality competition television. I’m happy to be a part of it all! Try not to think about it when you tune in and enjoy!

Eddie Vedder, Bruce Springsteen, and Bob Dylan.

Monday, January 18th, 2010

Some of my recent work is now available on DVD. This project gathered actors and musicians to collaborate about the power of the people, not government, to shape and improve our lives and affect our history. The film features performances by actors and artists such as Matt Damon, Josh Brolin, Viggo Mortensen, Danny Glover, Marisa Tomei, Bruce Springsteen, and John Legend.

The film is called “The People Speak”

The soundtrack from the film is 12 tracks of live original performances by Bob Dylan, Eddie Vedder and Bruce Springsteen, just to name a few. It’s definitely worth checking out.

Soundtrack available on iTunes music store.
Video available on HistoryChannel.com.

Here is the People Speak Trailer for the Film.

We taped the primary live portions in January of 2009 in Boston over a period of three days. I cant imagine how much work went into getting together this collaboration of so many talented and recognizable artists. The thought of all the phone calls, letters and emails between managers, agents, and publicists makes me dizzy. Not to mention all the arrangements involved with “riders” for the talent who require things a certain way if they are to be involved in a project away from home.

Needless to say all the elements came together for us to shoot a staged reading by celebrities of Howard Zinn’s A People’s History of the United States. Which included a live performance by John Legend that I am most fond of. As it was a taping of a live music performance there were some technical aspects we needed to provide. There were 2 separate sound mixing consoles, one for the audience and another for the TV mix. Both boards were Yamaha DM-1000 digital mixers which were very helpful for handling a variety of mixing and routing tools. The isolated tracks were recorded on two Fostex DV-824 DVD-RAM multitrack decks. Mixes and ISO’s were sent to all of the 7 camera’s as a redundancy, and to help the editors sync their footage together with the audio tracks.

One interesting detail was in the natural reverberation of the theater. This was an original vaudeville theater and opera house from the early 1900’s. Amplification was really not all that necessary as it was built before speakers were invented but we did utilize their state-of-the-art speaker system from their recent restoration. Careful attention was payed to the selection of microphones used to capture the voices of the performers and nothing else. But a little bit of “bleed” from the sound in the theater coming back into the microphone is inevitable. Watching and listening to the content we recorded sounds and looks beautiful, but when adding new content to the existing content, like more narration from the host and author Howard Zinn, the post-production audio mixers had to add some artificial reverberation to the cleanly recorded additional narration, in order to match the original audio. The result sounds quite nice but I can imagine the time it took to create an artificial reverb to match the sound of the Majestic Theater!

Check out the film and soundtrack and appreciate all the little things that got us to this point. I know I do!

Grammy’s, Hell’s Kitchen, and People’s Choice

Thursday, January 7th, 2010

It’s been a busy week!

We are gearing up for Season 8 of Hell’s Kitchen. As an audio engineer, there are quite a few details to work out between the equipment rental company Audio Specialties Group or ASG, the sound supervisor Keith Garcia, and the multiple audio specialists that operate the gear. But it is a well-oiled machine at this point and should sound better than ever this upcoming season on FOX!

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I helped out on the People’s Choice Awards and met some great people who are very upbeat and optimistic about their circle of fashionable, famous, and very “real” personalities, which is very nice to see. Always a pleasure to see that those well-known personalities in TV are also quite cool in person.

And the BIG news is that I have been asked to work on this year’s 52nd annual GRAMMY AWARDS! It goes without saying that the Grammy’s are the biggest annual music celebration broadcast around the world, so stay tuned for that!

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Thanks for tuning in to ConcertSoundRecording.com and look forward to a fantastic and musical 2010!

Happy New Year!

Top Model New Zealand

Wednesday, December 9th, 2009

I’m working in Auckland New Zealand as the international A2 for Americas Next Top Model season 14. I’m facilitating the needs of the sound department, managing equipment and mic’ing our cast and talent. We use Sennheiser wireless transmitters and a variety of lavaliers, Tram, Countryman, and Sennheiser.

It’s a beautiful place with great people and an amazing pool of talented professionals that would shame most from the states. All of the film production here in the last decade has done a lot for their industry, the Lord of the Rings series, Narnia, King Kong, Avatar, have been keeping the locals very busy.

The scenery is spectacular of course and the weather is quite a thing! We’ve been shooting in extremes for 2 weeks, it’ll be sunny in the morning, pouring rain in the afternoon, clearing up within 5 minutes, then rainy and windy again! So having lots of ponchos and trashbags handy for our sound mixers is very necessary, along with Zeppelin windjammer’s for our shotgun mic’s to help eliminate the wind noise.

I highly reccomend a future visit to New Zealand, either for film and TV production, or just for fun. It’s beautiful, affordable, and they speak English!

Production Sound on “The Office”

Saturday, August 29th, 2009

So I worked a day on the Office for NBC as a boom operator / A2 and it was a great experience. We traveled to Buffalo, NY to shoot the vows at Niagra Falls for the wedding episode. The production was really well run, and the locals were all so great. It’s so fulfilling working on a popular show, you are welcomed with open arms to a town who are so happy to have us.

At one point a young elevator operator interrupted to say that it was a pleasure to meet and work with us. So cute.

John Krasinski was feeling under the weather that day but still pulled out a great performance. and Jenna Fisher was very helpful to me with the mic-ing process in her wedding dress and ‘baby belly’ costume. I honestly hadn’t been too caught up on current events of the show so was quite surprised to see that the character’s were expecting! (I didn’t mention that to them tho)

Equipment used: Sennheiser and Lectrosonics wireless lavalier’s with countryman mic elements, both chosen for their waterproof characteristics. Sound Devices 442 for on-site multi-track recording, and a Sennheiser MKH-70 hypercardiod condenser “shotgun” microphone.

Our director was a recognizable actor/comedian Paul Feig, who I loved in the movie “Ski Patrol.”

We made the front page of both big newspapers for the city, and I was even in one of the pictures! Flying my boom in the background.

While flying home to LA I was sat next to the actress Isabel Lucas most recently in Transformers 2. She was trying out for a part in a movie based on the book that I was reading that very moment, On The Road by Jack Kerouac. Pretty coincidental.

It was a great experience working with the cast and crew of NBC’s “The Office” and I look forward to helping out again soon!

Hells Kitchen Production Sound Engineering

Sunday, January 4th, 2009

Hells Kitchen Seasons 5 & 6

Jan – March 2009

Its good to be back! Seriously though, why all the yelling?

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With 3 control rooms, 6 camera crews, and 60 cameras and microphones, Hells Kitchen is quite a big setup. I help engineer over 600 channels of audio, 6 days a week, 4 weeks per season, often 2 seasons a year. It’s a great show, and no, Gordon Ramsay is not the devil.

We will be gearing up soon for another installment of the reality competition, and I’m sure they’ll be turning up the heat on this one! Stay tuned