Posts Tagged ‘Production Sound Engineering’

Hell’s Kitchen Season 8

Friday, March 5th, 2010

I just finished up work as a control room sound mixer and engineer for another season of Hells Kitchen. Bexel / ASG provides the gear while Keith Garcia at Bald Sound supervises. This is another temporary installation at Century Stages in Culver City, CA. They build the restaurant, kitchen and dorms every season, then tear them out a month later when the season is wrapped. It’s quite an endeavor. We create a mini-city of about 200 people. Many departments come together to create the show of an imaginary restaurant on a sound stage in California.

My work is part of a team of technicians to facilitate 90 cameras, 74 mics, and 3 control rooms for a network reality competition show. There are a lot of big and small details that go into making it all happen but we are getting pretty good at it by now. These pictures help to show the scale of the operation.

Digital multitrack and multi-channel audio recording ensure all the audio and video is recorded properly for editing and broadcast. 900 channels of audio are passing thru at all times to make it happen. And it’s all torn out within a day or two to move on to the Oscar’s or the Olympics, etc.

Theres a big job of keeping track of all the media we record to make it into the best show it can be. A team of producers, technicians, switchers, camera operators, loggers, and editors create a system of capturing everything and making note of the good stuff so the audience gets the best of the best of everything that happens.

There’s a lot of work that goes into creating reality competition television. I’m happy to be a part of it all! Try not to think about it when you tune in and enjoy!

Production Sound on “The Office”

Saturday, August 29th, 2009

So I worked a day on the Office for NBC as a boom operator / A2 and it was a great experience. We traveled to Buffalo, NY to shoot the vows at Niagra Falls for the wedding episode. The production was really well run, and the locals were all so great. It’s so fulfilling working on a popular show, you are welcomed with open arms to a town who are so happy to have us.

At one point a young elevator operator interrupted to say that it was a pleasure to meet and work with us. So cute.

John Krasinski was feeling under the weather that day but still pulled out a great performance. and Jenna Fisher was very helpful to me with the mic-ing process in her wedding dress and ‘baby belly’ costume. I honestly hadn’t been too caught up on current events of the show so was quite surprised to see that the character’s were expecting! (I didn’t mention that to them tho)

Equipment used: Sennheiser and Lectrosonics wireless lavalier’s with countryman mic elements, both chosen for their waterproof characteristics. Sound Devices 442 for on-site multi-track recording, and a Sennheiser MKH-70 hypercardiod condenser “shotgun” microphone.

Our director was a recognizable actor/comedian Paul Feig, who I loved in the movie “Ski Patrol.”

We made the front page of both big newspapers for the city, and I was even in one of the pictures! Flying my boom in the background.

While flying home to LA I was sat next to the actress Isabel Lucas most recently in Transformers 2. She was trying out for a part in a movie based on the book that I was reading that very moment, On The Road by Jack Kerouac. Pretty coincidental.

It was a great experience working with the cast and crew of NBC’s “The Office” and I look forward to helping out again soon!

Busy Year Mixing and Mastering!

Thursday, August 13th, 2009

The first 3 months of the year were taken up by shooting 2 seasons back-to-back, of FOX’s Hell’s Kitchen, as a control room sound mixer. Hell’s Kitchen Season 6 & 7 were quite exciting! Tune in for more details on that.

Hell's Kitchen Audio Control Room

Hell's Kitchen Audio Control Room

Then I went on to help with CW’s America’s Next Top Model Season 13. I am an “A2″ on that show so I place the mics on the contestants and help facilitate the rest of the sound crew. It’s a fun show and a great family of people on the crew, many who have been doing it since the first season!

Top Model Audio

Top Model Audio

After a long run of work in ‘09 I took the month of july off to “recharge the batteries.” And it was fantastic. But it’s great to be back!
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I’ve since worked a few days a an alternate control room sound mixer on CBS’s Big Brother. Its a great control room to work in but can sometimes get a bit booring watching “the paint dry.” But its pretty close to the dream job of mixing a live broadcast in surround sound, so one step closer, right?!

Hells Kitchen Production Sound Engineering

Sunday, January 4th, 2009

Hells Kitchen Seasons 5 & 6

Jan – March 2009

Its good to be back! Seriously though, why all the yelling?

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With 3 control rooms, 6 camera crews, and 60 cameras and microphones, Hells Kitchen is quite a big setup. I help engineer over 600 channels of audio, 6 days a week, 4 weeks per season, often 2 seasons a year. It’s a great show, and no, Gordon Ramsay is not the devil.

We will be gearing up soon for another installment of the reality competition, and I’m sure they’ll be turning up the heat on this one! Stay tuned